{"id":6090,"date":"2015-11-07T13:25:50","date_gmt":"2015-11-07T12:25:50","guid":{"rendered":"http:\/\/www.filippoperocco.com\/wordpress\/?page_id=6090"},"modified":"2019-10-21T09:49:57","modified_gmt":"2019-10-21T07:49:57","slug":"music-for-theatre","status":"publish","type":"page","link":"https:\/\/www.filippoperocco.com\/wordpress\/?page_id=6090","title":{"rendered":"music for theatre"},"content":{"rendered":"<p><strong><em><br \/>\nOcchi, nur noch<br \/>\n<\/em><\/strong>for countertenor, boy voice, actor and amplified noises &#8211; 2011<br \/>\ncommissioned and coproducted by ENPARTS von Musik der Jahrhunderte, Venice Biennale and Musicadhoy Madrid<\/p>\n<div class=\"toggle-shortcode-wrap clearfix\"><h3 class=\"toggle-shortcode \">...<\/h3><div class=\"toggle-container toggle-display-closed\">\n<p>11.02.11 &#8211; world premiere<br \/>\nEclat festival 2011 &#8211; Theaterhaus Stuttgart<br \/>\nDaniel Gloger countertenor<br \/>\nVincent Frisch boy voice<br \/>\nChristian Br\u00fcckner actor<br \/>\nThierry Bruehl director<br \/>\nChristiane Dressler scenografo, Claudia Jung costumes, Hubert Schwaiger lights<br \/>\nHans-Peter Jahn drama<\/p>\n<p>30.09.11<br \/>\n55th Music Festival &#8211; Biennale di Venezia<br \/>\nTeatro Piccolo Arsenale &#8211; Venice<br \/>\nDaniel Gloger countertenor<br \/>\nVincent Frisch boy voice<br \/>\nChristian Br\u00fcckner actor<br \/>\nThierry Bruehl director<br \/>\nChristiane Dressler scenografo, Claudia Jung costumes, Hubert Schwaiger lights<br \/>\nHans-Peter Jahn drama<\/p>\n<p>09, 10.06.12<br \/>\nTeatro de la Zarzuela,&nbsp;Madrid<br \/>\nDaniel Gloger countertenor<br \/>\nVincent Frisch boy voice<br \/>\nChristian Br\u00fcckner actor<br \/>\nThierry Bruehl director<br \/>\nChristiane Dressler scenografo, Claudia Jung costumes, Hubert Schwaiger lights<br \/>\nHans-Peter Jahn drama<br \/>\n<\/div><\/div>\n<p><strong><em><br \/>\nMorse e Residual per Twothousand | All!<br \/>\n<\/em><\/strong>for toy pianos, electric bass and fixed media &#8211; 2012<br \/>\ncommissioned by Villa Romana with the supporto of Ernst von Siemens Foundation<\/p>\n<div class=\"toggle-shortcode-wrap clearfix\"><h3 class=\"toggle-shortcode \">...<\/h3><div class=\"toggle-container toggle-display-closed\">\n<p>20.10.12 &#8211; world premiere<br \/>\nVilla Romana &#8211; Florence<br \/>\nproject Kinkaleri<br \/>\nmusic by Filippo Perocco, Federico Costanza<br \/>\nwith Massimo Conti, Marco Mazzoni<br \/>\nduo Federico Costanza, Lucia D&#8217;Errico<br \/>\nproduction Kinkaleri, Pocket Opera in collaboration with music@villaromana<br \/>\n<\/div><\/div>\n<p><strong><em><br \/>\nPanorama<br \/>\n<\/em><\/strong>for soprano, actors, ensemble and video &#8211; 2013<br \/>\ncommissioned from Klang 21 and Taschenopernfestival Salzburg<br \/>\nTaschenopernfestival 2013<\/p>\n<div class=\"toggle-shortcode-wrap clearfix\"><h3 class=\"toggle-shortcode \">...<\/h3><div class=\"toggle-container toggle-display-closed\">\n<p>21.09. to 10.10 2013 &#8211; world premiere<br \/>\nArgekultur &#8211; Salzburg<br \/>\nHubert Schwaiger light<br \/>\nRegina Cluba and Tobias Ofenbauer actors<br \/>\nJ\u00fcrgen Palmer video and scene<br \/>\nFilippo Perocco music<br \/>\noenm ensemble<br \/>\nJuan Garc\u00eda Rodr\u00edguez conductor<br \/>\n<\/div><\/div>\n<p><em><strong><br \/>\nAquagranda<br \/>\n<\/strong><\/em>opera in one act for soloists, choir,&nbsp;orchestra and electronics &#8211; 2016<br \/>\nLa Fenice new production for the 50th anniversary of the 1966 flood<br \/>\nwith support of Freundskreis des Teatro La Fenice<\/p>\n<p><span class=\"s1\"><em>Aquagranda<\/em> received the Special Prize of the&nbsp;<\/span>XXXVI Premio della Critica Musicale \u201cFRANCO ABBIATI\u201d 2017<\/p>\n<div class=\"toggle-shortcode-wrap clearfix\"><h3 class=\"toggle-shortcode \">...<\/h3><div class=\"toggle-container toggle-display-closed\">\n<p>04\/13.11.16 &#8211; world premiere<\/p>\n<p>libretto: Roberto Bianchin e Luigi Cerantola<br \/>\nconductor: Marco Angius<br \/>\ndirector: Damiano Michieletto<br \/>\nsets: Paolo Fantin<br \/>\nchorus master: Claudio Marino Moretti<br \/>\ncostumes: Carla Teti<br \/>\nlighting: Alessandro Carletti<br \/>\nsound engineering and live electronics: Davide Tiso<br \/>\nvideo designer: Carmen Zimmermann &amp; Roland Horvath<br \/>\ncoreographer: Chiara Vecchi<\/p>\n<p>cast<br \/>\nFortunato Andrea Mastroni \u23ae Francesco Milanese<br \/>\nErnesto Mirko Guadagnini \u23ae Paolo Antognetti<br \/>\nLilli Giulia Bolcato \u23ae Livia Rado<br \/>\nLeda Silvia Regazzo \u23ae Valeria Girardello<br \/>\nNane Vincenzo Nizzardo<br \/>\nLuciano William Corr\u00f2 \u23ae Tommaso Barea<br \/>\nCester Marcello Nardis \u23ae Christian Collia<\/p>\n<p>Broadcasted&nbsp;on Culturebox, the online offer dedicated to culture on France T\u00e9l\u00e9visions. The opera will be available on replay for the following months <a href=\"http:\/\/culturebox.francetvinfo.fr\/musique\/opera\/teatro-la-fenice\" target=\"_blank\" rel=\"noopener\">culturebox.fr<\/a><br \/>\n<\/div><\/div>\n<p><em><strong><br \/>\nLontano da qui<br \/>\n<\/strong><\/em>opera for 3 voices and ensemble &#8211; 2018<br \/>\ncommissioned by Teatro Lirico Sperimentale di Spoleto \u201cA. Belli\u201d<br \/>\nco-produced with Fondazione I Teatri di Reggio Emilia.<br \/>\nsupported by Ernst von Siemens Music Foundation.<\/p>\n<div class=\"toggle-shortcode-wrap clearfix\"><h3 class=\"toggle-shortcode \">...<\/h3><div class=\"toggle-container toggle-display-closed\">\n<p>07\/08\/09.09.18 &#8211; world premiere<br \/>\nTeatro Caio Melisso, Spoleto<br \/>\nensemble L&#8217;arsenale and ensemble TLS<br \/>\nconductor: Marco Angius<br \/>\ncast<br \/>\nFiglia, Livia Rado (soprano)<br \/>\nNatura, Emanuela Sgarlata (soprano)<br \/>\nMadre, Daniela Nineva (mezzo soprano)<br \/>\ndirector: Claudia Sorace \/ Muta Imago<br \/>\nlibretto and drama: Riccardo Fazi<br \/>\nvideo designer: Maria Elena Fusacchia<\/p>\n<p>28\/30.09.18<br \/>\nFestival Aperto<br \/>\nTeatro Cavallerizza, Reggio Emilia<br \/>\n<\/div><\/div>\n<p><em><strong><br \/>\nCome foglia opaca<br \/>\n<\/strong><\/em>for soprano, sax, accordion, prepared piano, electric guitar, double bass, synth and resonators &#8211; 2019<br \/>\ncommissioned and produced by Venice Biennale<br \/>\nLa Biennale di Venezia<\/p>\n<div class=\"toggle-shortcode-wrap clearfix\"><h3 class=\"toggle-shortcode \">...<\/h3><div class=\"toggle-container toggle-display-closed\">\n<p>28.09.19 &#8211; world premiere<br \/>\n63. Festival Internazionale di Musica Contemporanea<br \/>\nTeatro alle Tese\u2028Ensemble L&#8217;arsenale<br \/>\nsolo voice: Livia Rado<br \/>\nlibretto: Eugene Ostashevsky<br \/>\nconductor: Filippo Perocco<br \/>\nstaged director: Antonello Pocetti<br \/>\nsets and costumes: Antonino Viola<br \/>\nlighting: Sander Loonen<br \/>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Occhi, nur noch for countertenor, boy voice, actor and amplified noises &#8211; 2011 commissioned and coproducted by ENPARTS von Musik der Jahrhunderte, Venice Biennale and Musicadhoy Madrid Morse e Residual per Twothousand | All! for toy pianos, electric bass and fixed media &#8211; 2012 commissioned by Villa Romana with the supporto of Ernst von Siemens Foundation Panorama for soprano, actors, ensemble and video &#8211; 2013 commissioned from Klang 21 and Taschenopernfestival Salzburg Taschenopernfestival 2013 Aquagranda opera in one act for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6090","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.filippoperocco.com\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/6090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filippoperocco.com\/wordpress\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.filippoperocco.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.filippoperocco.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.filippoperocco.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6090"}],"version-history":[{"count":20,"href":"https:\/\/www.filippoperocco.com\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/6090\/revisions"}],"predecessor-version":[{"id":7166,"href":"https:\/\/www.filippoperocco.com\/wordpress\/index.php?rest_route=\/wp\/v2\/pages\/6090\/revisions\/7166"}],"wp:attachment":[{"href":"https:\/\/www.filippoperocco.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}